Category: PS5

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Game Ramblings #184 – Like a Dragon Gaiden: The Man Who Erased His Name

More Info from Sega

  • Genre: Action/Adventure
  • Platform: PS5
  • Also Available On: PS4, Xbox One, Xbox Series, Windows

I was pretty thrilled with the series’ change to JRPG in Yakuza 7: Like a Dragon but I wouldn’t like if I’m still a bit of a sucker for the series’ action gameplay in 1-6. I thought that the series had kind of reached its peak and didn’t need to explore more in the genre. Gaiden doesn’t necessarily change that feeling, but as a much smaller and quicker experience than core games in the series, it feels like a nice place to fall back into for a little while.

From a story perspective, this is an interesting one as it fills in a lot of the time gap between Yakuza 6 and roughly the mid point of 7, but as seen from the perspective of the series’ previous protagonist Kazuma Kiryu. In doing so, the change back to action gameplay makes a lot of sense. It’s a Kazuma story. It’s only focused on his actions, and not the actions of the Yakuza 7 party. From that perspective, you get thrown into a nice tight game. From a core perspective, I finished this one with a very heavy emphasis on completion and getting distracted in about 20 hours, which was about 30 hours less than my playthrough of Yakuza 0 and about 50 hours less than my playthrough of Yakuza 7.

The slimmer nature also extends to combat. The stance switching is still there, but it’s now only two styles. There’s the yakuza style which is more brawling-focused, and is a bit of a combination of some past styles with an emphasis on bigger damage at a slower pace. Agent style on the other hand is a speed and gadget-focused style new to this game. Of real note to me was the inclusion of a spider gadget that works surprisingly similar to the Marvel Spiderman web slinging, allowing you to do things like pull weapons to you, wrap enemies as a stun lock, or throw enemies across the map. It’s a surprising addition to the series that just works extremely well at giving a stance that has potential at range, while still being melee-focused from a core combo perspective.

That said, where the story was pretty compact the game did not skimp on side content. These are again largely retreads of past games, which makes sense for a smaller side story, but there’s a lot of them. Billiards, darts, a number of board games, and gambling are all available as quick hitting distractions. The thing that’s surprising here is the amount of content available. Billiards has multiple types (9-ball, 8-ball, etc) AND a set of trick shot challenges. Darts has multiple game types as well as a range of collectable dart types that ultimately improve your throws. Gambling has multiple game types as well as different betting tiers to allow you to go against more difficult situations. There’s no reason for these side things to have any depth, but here we are. It’s a staple of the series and it’s been implemented to the standard depth even in a little side game.

Of particular note for me was the inclusion of pocket circuit from Yakuza 0/Kiwami. This is based on the mini 4WD RC car hobby where you can build out custom cars using a variety of different part types, and leave the car to drive through a set course as fast as possible. This as a side game was surprisingly deep, with track types built for different specialties like hill climbing, turning control, high speed, and more. Winning races was always a matter of figuring out what gimmick the track had, then testing a car configuration built around that, then going for victory. While it’s inherently a racing mode, the fact that you don’t have direct control of the cars made this feel like more of a puzzle game than anything else, which was hugely surprising.

However, the biggest distraction in the game for me was the Coliseum. While this is a huge part of the core story of the game, it later unlocks as a wide-ranging arena mode for both solo and team play. While it definitely has some aspect of climbing the ranks through harder and harder fighters (and frankly, being the best money-gaining option in the game), the team mode was the thing that really caught my attention. This allows you to recruit people in the world and add them to your combat team, which you can then train through the ranks. Each person has some core specialty (damage, defense, healing) and some activatable skills, allowing you to play a little bit of party building to create a team whose capabilities best match your own style of play. This is again one of those systems that looks simple on the surface but has a surprising amount of depth.

I’m not surprised that I enjoyed this game given the past entries of the series that I’ve played. However, I am surprised at the level of content that Sega put into this. This was supposed to be a little side entry, so there was no reason for it to be something that I ultimately spent upwards of 30 hours in. It’s absolutely a core Yakuza game to me. It has a great golden path through the story. It’s got fun little side missions to complete. It’s got a ton of non-combat side content with a huge variety. It just is Yakuza, and it’s got me even more hyped to play Infinite Wealth in the near future.

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Game Ramblings #183 – Prince of Persia: The Lost Crown

More Info from Ubisoft

  • Genre: Metroidvania
  • Platform: PS5
  • Also Available On: PS4, Xbox One, Xbox Series, Switch, PC, Luna

I wanted to say that this game was a huge surprise but given the fact that this was made by the studio behind the fantastic Rayman games of the last decade, I probably shouldn’t be surprised. This is a game that just nails so much of what make Metroidvanias something that I go after. It combines a great sense of that side of the platformer genre and mixes in some really gratifying melee combat to make an experience absolutely worth playing.

For me it was the little things that it did right that make this such a memorable thing as a Metroidvania.

On the traversal front it doesn’t simply have retraversal like most games in the genre. What it often instead does is have a little puzzle/platforming loop that ends with a door opening a shortcut for later use. It’s a level beyond the usual changes brought about by gaining new powers that I really found interesting. It made core paths and side paths really obvious and allowed me to focus on filling out the map in areas along the core path, with the knowledge that I very likely had completed an entire section of the map when it ended in a loop. These areas were also very well marked on the map, where the end of these loops were generally marked by a one-way door. It gets rid of the sort of missile door typical of Metroid games and makes it obvious that you will just unlock this area when you’re done and be good to go.

Speaking of the map, the game is both a little less automatic but also incredibly more flexible than recent Metroid titles that I’ve played. This game doesn’t really automatically place much in the way of iconography when traversing new areas. Yes, it will unveil the areas you walk through but beyond one-way doors you’re kind of on your own for placing icons. What it does have is a particularly good tool for doing so. Beyond manual placement of various icon types – which is greatly appreciated – it has a very specific thing you unlock early that lets you add screenshots to the map. These are hugely important to retraversal. See some weird looking area you can’t get into? Add a screenshot. Chest out of reach with your current set of tools? Add a screenshot. Suspicious door? Add a screenshot. What you end up doing is scattering the map with these things and as you come back later for various reasons, you can get a very obvious visual representation of your own past with the areas and be reminded of the specific thing you wanted to check later. It’s such a nice built-in note taking aspect that feels very natural in the genre.

The other thing I found really good was how well the traversal moves actually integrated into combat, keeping flow between the two really natural. For example, one of the early moves you get is a horizontal teleport. This has obvious uses to clear large gaps in traversal. However, they also start having you face enemies and bosses that encourage using the teleport as a dodge mechanic to get behind and break protections. A later upgrade is effectively a grapple hook, which is useful for grabbing onto spots in the world but is also useful for pulling enemies to you/pulling yourself to enemies at range. This is pretty universal for all mechanics. If it can be used for combat it likely has a traversal use and in practice it means you are constantly reinforcing mechanics at all times, allowing for the player to naturally fall in and out of combat in an engaging way.

However, the thing about combat that surprised me is that the game got significantly easier as the game went on. To some obvious extent this is the natural state of the power curve. You get more powers and more tools in your tool box, and things will get easier. However, to me it felt like the mechanics of enemies didn’t get more complex at the same rate as I was upgrading. Sure, I was gaining things like heals on parry that helped me out, but the bosses weren’t throwing out crazy amounts of new stuff causing me damage. Yes, I was gaining more effective dodging mechanics, but the bosses weren’t necessarily causing me to dodge more often. What it meant was that as the game was getting marginally harder I was getting significantly more powerful, and the most difficult bosses were really the ones near the start of the game when I didn’t have the tools to compete as well against the mechanics. By the end of the game I was having little difficulty, even accounting for the fact that I was getting naturally better as time went on.

I do want to also shout out the flexibility of options here, which admittedly does lead to the game potentially being easier. Early on I noticed that I was missing a lot of what I thought were parries that I was timing correctly. It didn’t really feel like I was missing them, so much as the game was eating my parry inputs – kind of a weird battle against inherent input and screen latency. I dug into the difficulty options and noticed that I could adjust the parry window independent of all other difficulty options. A little bit of extra flexibility here completely solved the problem for me. I didn’t necessarily want an “easier” experience, but one that matched my expectation of timing with what was happening on screen and I was able to fix the specific thing that was causing me issues. That level of granularity is something I really love to see in place because it lets the user tailor the experience to the specifics of both their play style and their play setup without needing to just globally make the game easy.

I’m pretty happy that this is the game that brought the Prince of Persia series back, rather than the seemingly doomed Sands of Time remake. I don’t necessarily have an issue with the 3D entries in the series, but this feels so much more like the natural extension of the original games. It expands upon the open platforming of the original and goes with a very good modern combat layer on top of it to end up in a place where the series now feels pulled into the modern day, without really sacrificing the original vision.

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Game Ramblings #181 – Bomb Rush Cyberfunk

More Info from Team Reptile

  • Genre: Platformer
  • Platform: PS5
  • Also Available On: Windows, Switch, PS4, Xbox One, Xbox Series

I’m not really sure whether I liked this game. Fundamentally I guess I do, in so much as it’s a carbon copy of Jet Set Radio. However, it’s one thing to pay homage to a series that’s been ignored and another thing entirely to outright copy the formula and not actually change much about it. It’s then even more egregious that it pushes one of the worst features of the original series to the front, much to the game’s detriment. So I guess, this is a strange one.

This is a game made to satisfy a very particular niche – people who wanted a sequel to Jet Set Radio. In that regard, I guess I’m that person. That series is basically the only reason that I bought the Dreamcast and the original Xbox. What is in place here satisfies that very need. It’s got the visual style down precisely, feeling retro without being kitschy. It’s got the strange mix of inline skating (or BMX or skateboard) and platforming that somehow works despite the jank. It’s got an unbelievably good soundtrack. All of the good of the original game is there. On the good side, the camera is definitely improved in a lot of cases, which makes the overall flow of the game much better.

However, that also comes with all of the bad still generally being there. The platforming is still imprecise in ways that can feel unpredictable, particularly in spots where your camera is changing quickly. For example, going off a quarterpipe has a really smooth camera to follow the direction of movement, but jumping hard snaps the camera in your new direction of movement. It’s both somewhat unpredictable in direction and totally disorienting. There’s still points of vague collision where you’ll bonk off a rail instead of capturing it, which can make longer trick chains pretty inconsistent to pull off. Tricks are there, but there’s no skill to the timing of them and there’s very few of them, so it’s just generally button spam when scoring is in place.

The worst part is that they took the bad combat and cop mechanics and somehow made it more present. On the combat side, it’s still just button spam to attack. Ya you can boost for more damage, and it’s effective. Ya you can do jump attacks and what not. However, it’s all just garbage combat with bad shot avoidance and very little indication of the damage state of the enemies. This would probably be fine if combat was restricted to story segments, but the cops are always there. The second you lay your first tag in general traversal, you have cops after you. Nearly every tag after that brings it up in threat. This is compounded by the fact that every time you increase threat you get stuck in a cutscene. That you see every time you hit that threat. That you keep hitting because you keep dropping threat. It’s miserable. You can drop threat by changing outfits, but the spots to change are often out of the way and can’t be immediately reused. It’s a bad version of the GTA star system in a game with bad combat that you’re always going to be activating. It’s baffling.

As a dev it’s not that I don’t have sympathy for this being such a carbon copy. The Jet Set series has had some internet cache as a series that deserves a sequel, so I totally get the reason that an indie team would go for something that has high likelihood for sales. That provides a ton of potential for stability for a small team. However, I guess I also think that if you’re going to do that you should be providing an experience that is….less blatant? There’s so many things that could have been improved here over the original. Combat could have been better. Collision could have been better. The police system is miserable and should have been better. It just feels like a missed opportunity. Ya, totally take the core gameplay that is there but at least respect the fact that games have improved a lot in 20 years.

Which I guess brings us to the point where I think you’d expect me to say not to play this game, but I can’t. It’s frustrating as hell that this is a game that wasn’t modernized, but it’s still fun. Despite the problems this proves that the Jet Set series has legs to it. This may not be a modernization of the formula, but it at least provides more to the formula, so from that perspective I guess I totally recommend the game. However, do go into it with the knowledge that you’re playing a game that for better or worse did not try to improve upon where it’s coming from.