Tag: PS4

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Game Ramblings #20 – Xeodrifter

More info from Renegade Kid

  • Platform: PS4
  • Genre: Action/Platformer, Metroidvania
  • Also Available On: PC, 3DS, Vita, Wii U

I’ve been grabbing a lot of the releases by Limited Run Games for my collection of late, and being a fan of Metroidvania games, this one was at the top of my list.  While this isn’t the best Metroidvania I’ve ever played, it’s one of best in terms of its raw mechanics, and that props up the main issues that I had with the game.  In the end, I really had two main issues with the game; it’s length and repetition of boss battles.

Unlike Metroid’s generally single open world, Xeodrifter takes place on 4 smaller locations.  While there is a bit of revisiting to each location, the small size means there is not much in the way of secret paths to visit.  There are a handful of spots in each world with hidden health or weapon upgrades, but not the breadth of secret areas that the Metroid games use to open up entirely new paths for core traversal.

Like Metroid, each core upgrade is also given after a boss battle.  However, the bosses in Xeodrifter all have the same visual design, other than a color palette swap.  Each battle also builds on top of the previous, with largely the same mechanics, with generally a single addition using the skill learned from the previous battle.  By the end of the game, this makes the boss fights quite a lot easier, as you’ve generally already learned the pattern of how to beat the boss, and can generally make a pretty good guess at what the new mechanic will be.

That said, mechanically this game really does shine.  It’s core shooting and movement is extremely fluid, and at a generally faster pace than would be expected out of the bigger names titles in the genre.  The upgrades also add a lot of flexibility to the game, with the standout probably being the upgrade that allows you to pass between different depths in the scene, not unlike the 3D gameplay used in recent 3DS Kirby titles.  Combined with other abilities, such as the submarine and dashing, you’ll often be juggling movement and shooting across multiple planes of gameplay at the same time.

Also of note is the gun upgrade system.  This game ignores the more standard straight beam upgrades from Metroid in place of a point-based upgrade system.  The guns can be upgraded in 5 ways; bullet size, bullet speed, fire rate, fire spread, and movement wave width.  Because of this, the guns can be upgraded in a way that suits the player’s style, rather than just being a straight upgrade.  For example, I maxed bullet size and fire rate, while putting a few points into the movement wave.  What this gave me was effectively a machine gun shooting large pellets, while moving in a small wave pattern.  I could have just as easily made a powerful slow firing shotgun, or something akin to a rail gun depending on how I wanted to play.  It was a truly fun way for them to handle the hidden upgrades typical of the genre.

Generally speaking, if you’re a fan of Metroidvanias, this is probably worth a try.  The game has its issues, but it has great core mechnicas, and is relatively cheap, so for a bit of a time filler, it’s worth the play.

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Game Ramblings #17 – Song of the Deep

More Info from Insomniac Games

  • Genre: Action/Adventure
  • Platform: PS4
  • Also Available On: Steam, Xbox One

It wouldn’t be a stretch to say that this game is pretty close to Metroid: Zero Mission in a submarine.  For one thing, it’s very distinctly a Metroidvania title, with a 2D relatively open world, backtracking for upgrades and cash to areas you could not previously enter, and combat involving a lot of missiles.  For another, about half way through you earn the ability to exit your sub, mirroring the introduction of Zero Suit Samus, and the more risky decision making involved there.  However, this one does enough to separate itself from being just a clone, and ends up being a great experience for a great price.

This game really has boiled down what it means to be a fun Metroidvania title.  Direct traversal has a really nice flow to it.  Despite being underwater, the movement speed is really quick, and turning is tight, despite having a distinct weight to changes in direction.  Both main weapons (a rope claw, and a set of different missiles) feel good in combat, and also play a part in expanding the areas you can get to in the world.   Enemies are ever present, but don’t feel unfair, and also drop a fair amount of health pickups, so I didn’t ever feel stressed between large segments of combat.  Really this is about as good a Metroidvania as I’ve played in the last few years, and I would recommend it just for that.

Then you get to Insomniac’s attention to detail being at the forefront.  The story is lighthearted, but for them a surprisingly serious tale of a girl trying to find her lost father.  However, as ever it is fantastically well written.  Visually the game is absolutely beautiful, and the audio fits as a fantastic ambient soundtrack while floating through the various areas.  Every region has both a distinct visual style, and a matching soundtrack, so you’re always experiencing something a bit different, even as you’re just rummaging around trying to find every last hidden secret scattered around.

Realistically, there were some things that were definitely a bother.  Some upgrades were not very obvious in what their intended role was, though experimentation quickly fixed that problem.  The inherent floatiness of the controls definitely worked great in most areas, but some tight laser avoidance areas showed some of the potential weakness of underwater adventures.  In one particular area, there was an obnoxious escort segment involving a tiny sea creature needing to be led via lights, who liked to go get distracted everywhere but where I wanted him to go.  That said, none of this detracted from the overall experience.

If you’re a fan of Metroidvania games, go do yourself a favor and go buy this one.  It’s only $15, and you get a great 6-8 hour adventure.  I’d also recommend going to pickup the physical copy if you’re into collecting.  I suspect this was a fairly limited run, and will be a good entry into your collection in the future when it becomes a lot harder to find.  Either way, this was a definite game worth playing.

I’m also going to put a side note here.  This game is the first released by GameTrust Games.  Most people probably won’t recognize that name, but it’s the new publishing arm started by GameStop.  A lot of people have a fairly negative view on GameStop, and some of that is definitely warranted.  However, them selecting this as their first title, a game that I suspect most publishers straight out ignored, is a potentially good sign for the future of that division.  They’ve got games signed from Ready at Dawn (The Order: 1886), Tequila Works (Deadlight), and Frozenbyte (Trine), so it certainly seems like we might be seeing some more interesting stuff coming out from them this year.

It’s going to be curious to see where GameStop takes that publishing arm, but leading with a small title from a great developer shows that they may be willing to take some risks to give back to the players and developers that they may have previously spurned.

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Game Ramblings #16 – Star Ocean: Integrity and Faithlessness

More Info from Square-Enix

  • Platform: PS4
  • Genre: JRPG

So I’m a bit of a sucker for JRPGs, and the Star Ocean series has never been any different.  However, it’s been a while since The Last Hope, and that one was already a pretty big step down for the series.  The unfortunate thing is that, while SO5 showed some promise in my playthrough, it’s not reversing the slide.

If you’ve played a Star Ocean game before, this one pretty much follows the pattern.  You’ve got a cast of people on a usual nonsense JRPG story.  You’re on a backwater planet that happens to be thrown into the midst of fighting between the advanced civilizations in the galaxy.  The characters themselves are probably an overall step up from The Last Hope, including an often entertaining, but definitely hilariously dressed mage. The battle system is still a solid action battle system, pretty similar to past titles.  In what could have even been an improvement, you get up to 7 active party members at one time, which is one of the larger JRPG parties I’ve seen.  However, the game ended up feeling like it was rushed to shipping, and never really pulls into a very cohesive whole.

On the surface, this is a very short game.  I ended up clocking around 20 hours to completion, though that was admittedly not a 100% run.  What it ends up doing though is progressing the plot extremely quickly, so the story is over as soon as you really feel like you’re growing into the characters.  It also means that leveling is EXTREMELY fast.  I ended the game just short of level 80, so you can imagine the leveling pace as I was actually fighting through the world.  The unfortunate thing is that unlike other Star Ocean games, you’re effectively rooted to one planet.  There’s a few excursions to space stations, but nothing permanent.  To combat this problem, the enemies scale in the world after certain plot points, but traversing the same areas definitely grows dull.

There were also some very distinct points that drew me to annoyance.  In general, the main healer for the party was pretty incapable of staying out of trouble, so I always kept a lot of healing and resurrection items on hand.  There were also a handful of boss fights that were effectively the worst kind of escort mission.  One in particular had me facing waves of enemies while one of my party members was hacking a door.  However, if she alone died, it was a game over.  She also would not defend or heal herself, and the enemies would beeline towards her without being able to be tanked by the rest of my party.  To say it was frustrating would be a massive understatement.

The unfortunate thing in the end is that I did legitimately enjoy playing the game.  Individual fights were just fun, the little side story moments that the series often has were generally just funny, the game generally looked pretty visually solid (if not a bit busy at times).  This is just one of those games that very clearly could have benefited a lot from more cycles of iterating on what they had going, because it’s so close to really being a great RPG.  At this point I’m just hoping that tri-Ace is now setup with the technology they need for the next few years, so they can truly just spend time working on a next-gen game, rather than next-gen technology.