Tag: howditage

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How’d It Age #11 – Epic Mickey: Rebrushed

More Info from THQ Nordic

  • Genre: Platformer
  • Platform: PS5
  • Also Available On: PS4, Xbox One, Xbox Series, Switch, PC
  • Originally Available On: Wii

I bounced off this game HARD when it originally came out. It’s not that the core game wasn’t good, but the forced integration of the Wii Remote really hampered the core painting mechanic. It made the camera miserable to control. It added unnecessary movement to painting. It was just a chore. Moving to standard controls frankly fixed the game.

Now I’m not necessarily saying that this is a modern masterpiece or anything but what a difference standard controls make. Platforming when you don’t have a good camera or good control of a camera just ruins the experience. You can’t hit your jumps quite right from lack of depth perception. You fall into danger because you couldn’t really see where you were landing. You get hit with things that weren’t necessarily in your camera view. It’s miserable.

Right on its own, having a camera stick fixes so much. You can run easily in different directions from your intended camera. You can look down when you jump to see the drop shadow for your landing spot. You can pan around during combat to make sure you have eyes on all the enemies. It just makes the game smooth. The worst part is that it’s not like this wasn’t solveable in the original title. Sure, the Wii Remote+Nunchuk combo was necessary as the default, but the Classic Controller add-on existed and offered dual-analog controls that could have been another useful control scheme to be used.

The other thing that really stood out to me was that this went beyond just moving to standard controls – it embraced modern touches with dual analog inputs. Since you no longer have pointer controls for the painting mechanic, it would have been easy for that to be incredibly imprecise. However, the game does two things that really improve the situation to do what I would argue matches the original game’s precision.

The first is simply that there is solid aim correction going on. The actual targetable area of things being painted is a decent amount larger than the actual target, and that sort of slushy space really makes quick targeting a lot more manageable. Obviously, this is something that most modern gamepad action games do, but it’s nice to see it here. The second is perhaps more important. The game just inherently supports motion controls during painting but not during normal movement. This is a really smart integration of that mechanic. Rather than the camera always darting around because of controller movement, the player is left to doing most camera movements on the stick. However, when the painting is activated, the camera stick movement is reduced and motion controls are enabled, allowing for really precise fine-tuned movement. This is a really smart touch as it makes combat precise in ways that even the original didn’t match and elevates it over a lot of “standard” action game control implementations.

What is on the surface a few small changes to core input really did end up fixing the game for me. It’s not like the original was all bad news anyway. The story and setting are wonderful, and that is still in place. The surprisingly dark story of Mickey effectively starting a cartoon genocide is still all here. It’s elevated by a pretty solid visual overhaul where everything is nice and high detail enough to now be a cartoon styled game in a modern engine. The platforming and combat are still good enough by modern standards and massively helped by the camera, so rather than being a downside it now serves to get out of the way of the really positive elements of the game.

The Wii was an interesting experiment to be sure, but now nearly 20 years later it’s pretty obvious that it didn’t really serve a lot of genres all that well. Wii Sports? Absolutely a banger for the console. First-person shooters? Metroid Prime on the Wii is probably the most precise way to play the game. However, more traditional genres like platformers really suffered from the lack of dual analog, and this is another example of that. Simply by moving to more standard controls, it took a game that had serious issues and made it pretty damn solid. It’s definitely no Mario Odyssey, but this is now a fun game on its own that can be played in a modern way without the frustration of poor input schemes.

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How’d It Age #5 – Blinx: The Time Sweeper

  • Genre: Platformer
  • Platform: Xbox

When I play older games, I like to think of them with respect to their contemporaries. Sure, part of it is just in seeing how they age generally, but also to see how they were compared to what came out at the time. The problem for Blinx is that it’s entirely outclassed by its contemporaries. While the game tried to do some interesting things, it really shows its age compared to other things that came out at the same time that I still continue to occasionally play today.

Blinx came out in October 2002, presumably to be both a mascot for Microsoft’s new console and a way to enter the Japanese market with something more familiar than Halo. The problem is that it was a very busy year for platformers. Looking at the list of big entries we’ve got:

  • Rayman Revolution in January 2001
  • Jak and Daxter in December 2001
  • Ape Escape 2 in July 2002 for Japan
  • Super Mario Sunshine in August 2002
  • Sly Cooper and the Thievius Raccoonus in September 2002
  • Ratchet and Clank in November 2002

Each of those games has something I can point at that simply did things better than Blinx, and that’s ultimately the problem with playing this game now. It’s obvious that even at the time it wasn’t doing anything well so much as doing things simply adequately.

For pure platforming, you could easily pick Jak and Daxter or Sly Cooper as the obviously better targets. In both cases, it simply comes down to speed. Movement in Blinx is excruciatingly slow in a way that really surprises me. It often feels like I’m moving at about half the speed I want to. It basically results in jumps being only for vertical purposes. They often play into that with the time control powers (ex: a bridge falls, you can’t double jump the gap – you have to rewind to rebuild the bridge), but that gets into another core problem with the game.

The collection aspect of time powers is a weird thing where you have to build combos of symbols from items dropped in the world. If you match 3 or 4, then you gain some time powers. However, if you don’t match that many before you’ve collected 4 total items, you lose them all. It’s a needlessly complicated system that simply serves to do two things – makes me go slower to avoid picking things up by accident, and makes me backtrack when I figure out the core conceit of the level and what specific time power I require. It serves to loop back to my point that the platforming feels slow, because the mechanics are simply reinforcing that.

The other core mechanic in place is a vacuum to suck up and eject trash at enemies. This is where Ratchet and perhaps Luigi’s Mansion come into play a bit. Sucking up trash is another thing that is excruciatingly slow. It requires you to stand still, suck up a thing for a while then move on. However, you can also suck up the time power items from above, which again reinforces going super slow to be careful to not screw up your combo. This would have been so much better served being a move that lets you passively pull things in that are weaponry and ignore the time powers, as well as not requiring you to stop moving to do so.

Ratchet and Clank is definitely the comparison for the shooting end of things, though perhaps it’s more the second or third game in that series that are better comparisons. In this game, it’s extremely easy to just miss your shots entirely. This game would have been better served with aim assist that later Ratchet titles had to make shots more reliable, but even against the first entry this just doesn’t feel like it spent enough time letting the shooting mechanics cook. It feels hard to aim and doesn’t really feel powerful. Enemies have pretty weird immunity frames – particularly for long periods after they’re hit – that just break the pace of whatever combat was being attempted. Overall this is just a case where it feels like the weaponry aspect is just unnecessary against a more traditional stompy platformer setup.

The final game in that list then is Super Mario Sunshine, and in this case I think the comparison is in the friction of taking damage. Blinx suffers from two problems in this case. The first is that taking damage simply breaks the flow of action in a negative manner. When you take damage, the action pauses, you rewind 5 or so seconds into the past, and lose ALL progress that had happened during that time, even if it was killing some other enemies. In large combat scenarios, it’s pretty frustrating to lose that progress to a hit. You also have a pretty limited set of hits that you can take (start at 3, expandable with in-game currency purchases) that can only be recharged via the time power matching system above or via a shop between levels. It’s slow to regain the retries and frustrating to run out of them.

Compare this against Mario Sunshine’s damage mechanics, where you can take a bunch of hits before losing a life, can easily recharge that with coins scattered all over the place, and time doesn’t stop if you take damage. This results in another case where the mechanics reinforce the game feeling slow, since it felt like I was being pushed to fundamentally avoid damage, rather than just minimize it.

It’s one thing to be frustrated by a game that simply feels old. Billy Hatcher from a couple posts back is a good example of that. However, this game is frustrating because it landed in the middle of a 3D platformer golden age and simply couldn’t keep up. Other games for other platforms were simply doing its core set of mechanics better. All that said, it’s available on Game Pass and you could do worse than free.

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How’d It Age #4 – Billy Hatcher and the Giant Egg

  • Genre: Platformer
  • Platform: Gamecube via Dolphin

This is such a Sonic team game. It’s a strange concept that could seemingly only come out in the early 00s. It’s a 3D platformer that completely skips the lessons that Nintendo was giving out with their own games. It has every single problem that the Sonic Adventure games have. But despite that, it’s still surprisingly fun.

The one thing that really stood out to me was how fun the egg mechanic was. Besides eggs giving you core abilities (faster movement, jumping, attacks, etc), it was just fun to see what would come out of them. Sometimes it’s little helper dudes with elemental powers that can help traverse levels (ex: a water-based seal that can put out fires). Sometimes it’s hats that can provide additional benefits to your eggs (Ex: iron egg that increases attack power). Sometimes it’s useful items (ex: TNT that you can toss at enemies). You can learn over time what the eggs are, but because they are sort of scattered around the levels haphazardly, you’re encouraged to rapidly grow and hatch the eggs and move onto the next one so you can build your arsenal up throughout a single mission. By the end of the level, you’ll typically have some partner animal, some hat, some item, and be able to use them to achieve whatever the specific goal of the mission is.

More often than not I was kind of ignoring where I was trying to go and just looking around to find eggs for the sake of finding new things to hatch, which is an interesting change from what is otherwise a pretty standard platformer setup. Each world has a set of missions that you do one at a time, where you kind of traverse different sections of the area during a specific mission. Disconnected from the egg stuff, it’s not really all that different from a Mario 64 pattern. However, the eggs provide a distraction and thing to go after that Mario or even Sonic Adventure really didn’t have.

However, it’s pretty obvious that this is a Sonic Team game because it has all of the hallmark problems of the rest of their 3D titles of that era. The game starts out pretty manageable, with simple flowing level designs that really encourage the higher pace egg rolling, but it starts to slowly go off the rails. Levels start concentrating more on platforming, which works fine but isn’t really a strong point. In a lot of cases, it just feels like there isn’t much flex room in the platformer timing. Gaps aren’t quite forgiving enough or platforms are a little too tall for the jump height to where it doesn’t necessarily feel hard but feels unnecessarily frustrating.

In particular, you start running into wonky physics issues as things get more complicated. Sometimes it’ll be that your egg gets on top of a platform but you don’t, causing you to fall to your doom. Sometimes it’s a slightly unpredictable way that your character’s speed works that causes you to roll off the edge of a platform instead of stopping. Sometimes it’s a set of rails that you’re trying to roll onto that you instead clip through. This is all distinctly not aided by a typical Sonic Team camera. It has a habit of turning when you don’t want it to. It has a habit of not ever being focused on the boss that is attacking you. It has a habit of clipping through the environment and completely blocking your view.

However, those were all things that I was expecting. I know it sounds weird to go into a game expecting some subset of bad things to be there, but with Sonic Team that’s just kind of the experience I know I’m getting into, for better or worse. Nights had these problems. Sonic Adventure had these problems. Post-Sega games like Balan Wonderworld still had these problems. It’s just one of those things that I go in expecting, so I was annoyed but not unhappy about it. The thing that kept me playing was the rest of the stuff around the known garbage, and that was fun. The core egg stuff was all just kind of fun enough for this to still be good 20 years later. It’s a weird little 00s with all those problems, but it’s still a totally fun experience despite the issues.